This
week the program chair of the Rotary Club asked me if I could give a talk on
self-publishing in the digital age at one of the December meetings. I’d love to
tell you I was asked because I’m an internationally recognized authority on the
subject, but the reality is that I’m someone they know who has done it, and I’m
generally willing to give a talk.
Actually,
one of the points I would make in such a talk is that I don’t believe there are
any true experts in that field. There certainly are people who know a
considerable amount about some aspect or another, but digital self-publishing
is so new, and the options so many and bewildering that no one could really
grasp it all. Nor have there been sufficient time and verifiable results for
anyone to really know with any degree of certainty what’s most likely to work.
The Known Knowns
There
probably are two things that can be reasonably stipulated. The first is that
digital self-publishing has given authors a more cost-effective and
return-probable way of publishing their own work. The second is that the
internet gives everyone a chance, albeit a longshot, at making a new book known
to a wide audience and getting it purchased by enough people to make the effort
worthwhile.
In
the old days (less than 10 years ago), self-publishing was a mug’s game. The author had to pay a printer
thousands of dollars up front to run off a few thousand copies of a book, then
drive to every bookstore for miles around, begging them to take a couple of
copies on consignment, then try to keep track of all the books. Not one person
in a hundred thousand came out ahead.
Now
there are outfits like Amazon that can process a word document into an e-book
in minutes and sell that book around the world, or can format it as a print
book and print copies only as ordered, saving the author a huge up-front cost.
Game-changer is too mild a word for this development.
Of
course before anyone buys that book, they have to know about it and have a
reason to seek it out. If it’s a book about a specific subject, say model
railroads, with a number of core enthusiasts, internet searches can generate
sales. For a general mystery novel like my book, The McHenry Inheritance, it’s not so easy.
The Unknown Unknowns
It’s
pretty much a given now that an author has to create a web site for his book,
and do a video as well. The next question becomes how to drive people to the
web site and video. I have been working with an excellent social-media guru on
this subject and received some valuable pointers. Still, at the end of the day
a lot of it comes down to persistence and experimentation.
An
author trying to promote his or her own book has such a smorgasbord of choices
that it’s intimidating. I could easily be working 16 hours a day on book promotion
(if I didn’t have a day job) and still not be doing everything I could. Nor
would I really know whether the things I was doing were the things I should
have been doing. A spectacularly big reaction tells you you’re doing something
right, but no reaction simply means maybe. Maybe you tweeted a couple of hours
too early. Maybe everybody was simply too busy to see what you put out today.
You just don’t know. At this point, I figure all I can do is keep trying, keep
analyzing, and pray for luck.